This article explores the interrelationships between Christian choruses and South African songs of the struggle, which sometimes used the same tunes. The development of each genre is explained and the interrelationship between them analysed. One example is studied in more detail. Songs deeply influence people, be it in their faith or in their political action. A critical awareness of how these songs functioned and continue to function can deepen our understanding of the South African struggle for freedom as well as (...) enriching our praxis today. (shrink)

The process of transmission and translation of texts has similarities with crossing borders into foreign territory, as immigrant or refugee. Not everything can be taken along, and finding acceptance in the new environment is sometimes difficult. Martin Luther’s hymn A mighty fortress has found a place in most denominational hymnals, but there are many disagreements about how it should be sung and what its meaning is. Has it really found a ‘home’ in the new settings, or is it still a (...) foreigner? Does it have a ‘home’ even in its original language in the 21st century? Can this hymn be a unifying factor in the Reformation celebrations in 2017? This article analyses various translations and discusses issues of interpretation of this well-known Reformation hymn. (shrink)

This article aims to explore the complex issue of the emotive effect of Christian songs. It is based mainly on a literature survey, using sources both from Christian hymnology and musicology. It also uses illustrative examples from three informal surveys in congregations on the reasons particular songs are favourites. The point is made that exploring this issue scientifically is very complex as there are so many variables in people’s appreciation of songs. Some of these elements are discussed, such as the (...) effect of the external setting in which people experience a song, factors important in the appreciation of a text, such as poetic quality and knowledge of the author’s background. Other factors are the emotive quality and level of difficulty of a tune and in what time this style was popular. Then there are the internal factors, such as the link of a song with group identity and special memories. Some of the survey results corroborate the pointers in the literature for what makes certain songs particularly emotionally appealing. Some of these were a preference for musical styles popular in one’s youth, the importance of relationships with significant others for forming favourites and the important element of memory in the emotional impact of songs. Concluding pointers for worship include motivating for different styles of music in worship and carefully finding those songs in each new musical genre, which have the potential for sustaining today’s youth into the future.Contribution: This article makes a contribution in what is a complex and often emotionally charged issue in congregations: Worship styles and musical preferences. It argues for the importance of using different musical styles and bringing the generations together. (shrink)